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Alex Garland’s ‘Elden Ring’ Movie Taps Kit Connor To Star

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The highly-anticipated Elden Ring movie at A24 and video game company Bandai Namco Entertainment Inc.is gaining momentum as director Alex Garland may be zeroing on a familiar face to lead the epic adaptation. While it is unknown where things stand in negotiations or if a formal offer has been offered, sources tell Deadline the director has talks with Kit Connor, who recently appeared in his war pic Warfare, to star in the adaptation. Sources stress several factors still need to be worked out including scheduling but both Garland and Connor want this to happen.

A24 had no comment.

As reported last week, Garland is writing an directing the pic with Peter Rice is set to produce alongside Andrew Macdonald and Allon Reich from DNA, as well as George R. R. Martin and Vince Gerardis.

Released to critical acclaim in February 2022, Elden Ring is an action RPG set in an authentic dark fantasy world, which allows players to head off on adventures within vast environments and dungeons. Created under the guidance of FromSoftware’s Hidetaka Miyazaki, the game is based on a story written by Martin, author of the fantasy novel series, A Song of Ice and Fire, which served as the basis for HBO’s Game of Thrones.

Over 30 million units have shipped worldwide over the last few years. An Elden Ring spin-off, Elden Ring Nightreign, is slated for release worldwide on Friday, May 30.

Over the years, Garland is one of the stronger partnerships the studio has with any director with four of his five films bowing at the studio. The project is expected to be one of A24’s largest productions to date but given Garland’s track record with the studio having most recently directed the war pic Warfare, the studio is very high on this upcoming venture.

If a deal does close, this would mark a major victory for Connor as this project is expected to draw plenty of talent given everyone involved in it. Connor’s star has been on the rise since his breakout role in the Netflix series Heartstopper. He was most recently seen in Garland’s Warfare, which featured other rising stars such as Charles Melton, Jospeh Quinn and Will Poulter and can be seen next in the Netflix pic A Cuban Girl’s Guide To Tea and Tomorrow. He is repped by Independent Talent Group and WME.



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BINI, Sofronio, more stars to light up PH Independence Day in NYC

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The 35th annual Philippine Independence Day parade in New York City is set for Sunday, June 1. Photos from sofroniovasquez, bini_ph/Instagram and Martin Nievera/Facebook

NEW YORK — The 127th Philippine Independence Day parade on June 1 will be one of the most star-studded celebrations of Filipino pride, heritage and musical excellence in New York City. The event returns to Manhattan, featuring a vibrant showcase of Filipino culture.

Organized by the Philippine Independence Day Council Inc., the 35th annual parade will span Madison Avenue and culminate in a street fair at Madison Square Park.

Headliners include Sofronio Vasquez, the first Filipino and Asian to win “The Voice” and “Concert King” Martin Nievera, a beloved icon with decades of OPM hits, along with P-pop girl group BINI, known for chart-topping songs and empowering performances. 



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BINI

BINI | Photo from bini_ph/instagram

Vasquez expressed excitement about participating in the Philippine Independence Day parade for the first time. Reflecting on his journey, he told Inquirer.net USA, “I remember watching the parade when I first moved to America, wishing I could be part of it and represent my music. This event is special because it celebrates our freedom and Filipino pride here in New York, where dreams are made. I can’t wait to see Filipinos come together on June 1, enjoy Filipino street foods and share my gratitude for (the community’s) support.”

Sofronio Vasquez

Sofronio Vasquez | Photo from sofroniovasquez/instagram

Nievera said he was eager to perform alongside Vasquez and BINI.

“I am so looking forward to sharing the stage with today’s singing sensations Sofronio Vasquez and the talented BINI, as we celebrate the 127th Independence Day,” Nievera told Inquirer.net USA

Martin Nievera

Martin Nievera | Photo from Facebook/Martin Nievera

“I can’t wait to serenade the East Coast with the songs I’ve recorded through the years. It’s been too long since I last sang for New York City. Let’s do this! See you all on Sunday, June 1!”

Returning for a second year, U.K. “X Factor” sensation 4th Impact will energize the crowd with their powerful vocals. Also performing is Banda El Gobernador, a well-known Filipino marching band from Bacoor, Philippines, recognized for lively brass and percussion.

4th Impact

4th Impact | Photo from 4thimpactmusic/instagram

Banda

Banda El Gobernador | Photo from pidciofficial/instagram

The festivities will highlight Filipino athletic excellence with a special appearance by the Alas Pilipinas men’s volleyball team, preparing for its debut at the 2025 FIVB Men’s Volleyball World Championship. 

ALAS

Alas Pilipinas men’s volleyball team | Photo from pidciofficial/instagram

The team is currently in New York for a training camp, underscoring Filipino athletes’ rising prominence on the global stage.

Miss New York USA 2024 Marizza Delgado – the second Filipina American to hold the title – will represent Filipino resilience and versatility. Delgado is a data scientist and an advocate for women in STEM.

Marizza Delgado

Miss New York USA 2024 Marizza Delgado | Photo from marizzadelgado/instagram

The parade will be led by grand marshals Dr. Angie Cruz-Quines and Dr. Emilio Quines, with honorary marshals including Bacoor Mayor Strike Revilla. Community leaders and officials from the Philippines and the tri-state area will also attend, reflecting the event’s significance.

Josie Jampayas, wife of Ismael Jampayas and one of this year’s honorary grand marshals, told Inquirer.net USA she was honored to serve in the role.

“I’m grateful for this recognition and hope to promote our culture and community pride,” she said. “Together, let’s continue to celebrate our heritage and Filipino spirit.”

PIDCI president Arman David and the 2025 board of directors will participate, along with Philippine Consul General Senen Mangalile and New York State Assemblymember Steven Raga, the only Filipino elected official in the state.

Arman David

PIDCI president Arman David and his wife, Joyce | Photo from Arman David/Facebook

David expressed his deep pride and enthusiasm as PIDCI approaches a historic milestone.

“This year’s Philippine Independence celebration in New York is especially meaningful as it marks our 35th anniversary of hosting and organizing this beloved parade,” he told Inquirer.net USA.

“Given that it’s a milestone year, we have put in considerable effort to ensure it’s a grand celebration for all Filipinos in attendance.”

Having led the organization for years and with his term ending this year, David emphasized the event’s significance in fostering Filipino unity and pride. “We aim to elevate the Filipino presence and instill a sense of pride in everyone as Pinoys on that special day!”

PH Independence Day NYC poster

He also expressed his gratitude to everyone who made the event possible. “Truly, we have something for everyone on that day! A special thanks to my entire PIDCI board of officers, our grand marshals, and our sponsors. We are especially grateful to our platinum sponsors like ABS-CBN Global, MYX, TFC, and Philippine Airlines, along with all our other supporters. Your support helps us make this year’s celebration even more memorable.”

The street fair at Madison Square Park will feature Filipino cuisine, native products and cultural exhibits, offering a taste of home for Filipino Americans and visitors alike.

Under the theme “Embrace and Preserve our Culture to Unite and Empower the Future,” this year’s celebration seeks to foster unity, heritage and community spirit across the tri-state region.

The festivities are expected to attract more than 100,000 attendees from across the tri-state area, making it one of the largest Filipino celebrations outside the Philippines. 





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How Julius Randle’s dominance — and struggles — personifies the Minnesota Timberwolves’ teetering season

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IN A GAME the Minnesota Timberwolves desperately needed, Julius Randle played miserably.

His five points were the fewest he’d ever scored in a playoff game, eclipsing his previous career low of six, set just two games earlier. He’d attempted only seven shots, making one of them. He had five turnovers. But more than that, for much of the game, he was invisible.

Sitting in front of his locker after Monday’s 128-126 loss to the Oklahoma City Thunder put Minnesota in a 3-1 deficit in the Western Conference finals, Randle had no answers for why he flatlined in Game 4, since he had consistently infused so much life into the Wolves’ playoff run.

“I don’t know, to be honest,” Randle said. “I think it was just a lot of me just spectating.”

What he saw was Minnesota missing its chance to tie up its series with Oklahoma City and apply real pressure to a 68-win Thunder team that dominated the NBA this season.

Instead, now the Wolves’ season is on the brink, and when asked whether the coaching staff could’ve done more to get him involved, Randle owned his performance. “I’ll always take the responsibility for myself,” he said. “I’ve got to figure it out first.”

Randle’s difficulties in Game 4 echo some of his struggles throughout his career. At 6-foot-9, he has the quickness and ball-distribution skills of a guard, but sometimes he plays out of control. At a sturdy 250 pounds, he has the strength to battle in the post but often lacks the height and length of the centers he’s matched up with.

His time in the league has coincided with the 3-point revolution, and while he has become a capable outside shooter (33.4% from 3), he’s not a particularly reliable one.

His production and work ethic make it impossible to dismiss him, yet the questions persist: Can he eliminate his bouts of inconsistency? What’s the best way to unlock him as the winner he strives to be?

No matter what happens in Game 5 and beyond, it has been a season of discovery for the 30-year-old Randle. The three-time All-Star has, for the first time, been cast in a supporting role on a team with championship aspirations. This, after whispers had followed him when his last team made more noise in the 2024 postseason when he was sidelined with a shoulder injury than they did when he was in uniform.

“[That was the] change and adjustment for me throughout the year,” Randle told ESPN. “It was like, ‘All right, how can I play a style of basketball that’s going to be beneficial to our team and drive winning when it matters the most?'”

IF THERE WAS a single moment to capture the magic of the Timberwolves’ 2025 playoff run, it might be a sequence from their Game 3 blowout over the Thunder, when Randle attacked league MVP Shai Gilgeous-Alexander with a left-to-right crossover, then rose up to connect on a jumper that snapped the net and sent the crowd into a tizzy.

The shot put the Wolves up by 38 points with 4:25 remaining in the third quarter and forced the Thunder to burn a timeout. OKC, the NBA’s No. 1 seed, was completely out of sorts, looking nothing like the group that went up 2-0 against sixth-seeded Minnesota at Paycom Center to begin the series.

As both teams retreated to their respective benches and the Wolves faithful howled from the stands, a wide-eyed Randle delivered a message, pointing his fingers at the Target Center’s hardwood court below his feet.

“We home now!” Randle roared. “We home now!”

His declaration was directed at Minnesota shifting the competitive balance of the series with the franchise’s first trip to the NBA Finals on the line, as the Wolves went on to win Game 3 by 42 points after losing the first two games by a combined 41.

But the additional meaning, whether intended or not, was obvious.

He has found an unexpected home after a surprise trade from the New York Knicks brought him to Minneapolis just two days before training camp. The Wolves were Randle’s fourth team since being drafted with the seventh pick by the Los Angeles Lakers in 2014, when L.A. was beginning its long rebuild at the tail end of Kobe Bryant’s 20-year career.

He was reunited this season with Timberwolves coach Chris Finch, who was an assistant with the New Orleans Pelicans on the second stop of Randle’s career. He has bonded with Wolves president of basketball operations, Tim Connelly, who Randle reverently refers to as a “foodie,” sampling the Twin Cities restaurant scene together. He and his wife, Kendra, welcomed their third child, daughter Romi, during this postseason.

He has become celebrated as a centerpiece of the Wolves’ repeat run to the conference finals. A 30-foot vertical billboard on the corner of N. 1st Ave and N. 7th St. above O’Donovan’s Irish Pub, across the street from the arena, depicts him and Anthony Edwards standing together, smiling ear-to-ear, with the team’s “Wolves Back” playoff slogan printed above them.

“I feel like there’s been a bad narrative going around about him, as far as the type of person he is,” Edwards told ESPN. “He’s the coolest person. He’s one of the coolest people I’ve ever met. I love Julius, man.”

Randle finished Game 3 with 24 points on 9-for-15 shooting — going 7-for-11 on contested shots, according to ESPN Research — with three assists and no turnovers against the Thunder’s ball-hawking defense.

Edwards finished with 30 points, accounting for the eighth time this postseason both he and Randle topped the 20-point plateau in a game — the most by a Wolves duo in a single playoff run.

On the other side of the ball, Randle held Gilgeous-Alexander and Jalen Williams to 2-for-8 shooting as their primary defender.

Then, some 48 hours later, Randle played the worst playoff game of his career.

“I think the biggest thing is,” Randle told ESPN, “how do you bounce back after adversity? That’s always been the theme of my career. How can you bounce back? How can you be better? How can you learn?”

THE TRADE THAT brought Randle to Minnesota, and sent star Karl-Anthony Towns to the Knicks, reminds new Wolves limited partner Alex Rodriguez of a deal nearly 30 years ago, from his days on the diamond. In the summer of 1998, Rodriguez’s Seattle Mariners traded franchise icon Randy Johnson to the Houston Astros and received Freddy Garcia, John Halama and Carlos Guillen in return.

The deal was largely panned. Johnson went 10-1 with a 1.28 ERA for the Astros down the stretch, helping Houston to its first 100-win season in team history.

“Everyone thought, ‘Oh my God, we just got body slammed,'” Rodriguez, whose ownership transition with Minnesota is pending a Board of Governors vote, told ESPN. “Same reaction like with KAT. Everybody was down on Seattle.”

In time, Garcia was a two-time All-Star for the Mariners, who finished third in Cy Young Award voting in 2001 and eventually won a World Series with the Chicago White Sox in 2005. Halama, a lefty pitcher, had three double-digit-win seasons in Seattle. Guillen played 140 games for the 2001 Mariners squad that tied the all-time MLB record for wins in a season with 116.

And so it went for the Wolves, too. They started the season 8-10 and were still hovering around .500 after the All-Star break while Randle was sidelined with a groin injury — before the value of the deal showed for Minnesota, other than the obvious salary cap maneuverability it provided. (Towns was signed to an escalating contract that rises from $53.1 million to $57.1 million to $61 million in the next three years; Randle has a player option for next season worth $30.9 million.)

“It was not always pretty on the floor, it wasn’t always pretty off the floor,” Finch said. “We had a lot of frustrations throughout the season, but they all came from a good place, everyone trying to make it work. And I think Julius’ connection with his teammates has gotten better and better.”

Randle missed 13 games (the entire month of February) with a strained right adductor and Minnesota went 5-8 without him. But the absence provided Randle with an opportunity, one he hadn’t been afforded with the preseason trade: time.

“I got to really watch the guys. … I got to really see guys up close and personal and really just evaluate, like, ‘All right, this is how I can help,'” Randle said. “And then I think from there, it was just kind of night and day when I was able to come back.”

Still, even before the injury, Randle’s fit was clunky. On Jan. 17, in his first game at Madison Square Garden against his former team, Randle went just 2-for-6 from the field but filled out the box score with seven rebounds and six assists. He had a plus-minus of plus-20 in a game Minnesota won by 17.

“He settled into his role,” a source close to Randle told ESPN. “He was taking double teams and making the easy pass or finding the swing pass to set up his teammates.”

Two games later, however, Randle went 2-for-13 (0-for-7 from 3) in a two-point road loss to the Memphis Grizzlies, a show of inconsistency that has once again emerged in these conference finals.

Finch, however, was forgiving.

“I had played a terrible game,” Randle said, “and Finch was like, ‘Man, don’t sweat it.’ He was like, ‘Just keep chipping away at it.’ The basis of the conversation when we left it was like, ‘It’ll click when it’s supposed to.’ I think that’s just life and the process of things. It clicks when it’s supposed to.”

Then Randle returned, and it did.

Minnesota finished the season 17-4. Randle averaged 18.4 points on 51.9% shooting (39.8% from 3), 6.8 rebounds and 5.2 assists.

Those kinds of performances continued for the first month of the postseason.

In the Wolves’ five-game upset of the Lakers in the first round, he held his own against LeBron James, averaging 22.6 points on 48.1% shooting (39.3% from 3), with 5.2 rebounds and 4.4 assists to James’ 25.4 points on 48.9% shooting (35.7% from 3), with 9.0 rebounds and 5.6 assists.

In a five-game second-round win over the Golden State Warriors, he averaged 25.2 points on 53.3% shooting (29.6% from 3), with 6.6 rebounds and 7.4 assists. On his podcast after the series, Draymond Green said that Randle matched Pascal Siakam in the 2019 Finals with the Toronto Raptors as the toughest individual competition he has faced in a playoff round.

“I lost my matchup,” Green said. “Julius was incredible.”

But after a dominant first half of Game 1 against the Thunder, Randle flatlined … again. After scoring 20 points in the first frame, Randle took just five shots in the second, scoring eight points.

Then he went just 1-for-5 in the first half of Game 2 as the Thunder built a 24-point lead in the third quarter.

By the fourth, Finch kept Randle on the bench as the Wolves cut the deficit down to 10.

Finch spoke to him after the game about the decision, and Randle accepted it.

“To be able to trust in the coach’s decision at that level of stature of player, it’s remarkable to see,” Donte DiVincenzo, who was traded from New York along with Randle, told ESPN. “And it gives us a different perspective. Like, ‘OK, if Coach goes away from me, well Julius didn’t pout, why are you pouting?'”

Less than two days later, in the hours before Game 3, it was clear that whatever tension had built had subsided, as Finch entered the home locker room.

“We’re talking s— about you over here, Finchy,” Randle said as his coach made his way through the doorway.

Finch, smiling, quipped back. “Most people do.”


THE INHERENT URGENCY caused by the Wolves’ 3-1 deficit to the Thunder — not to mention Randle’s shoddy performances in Games 2 and 4 — doesn’t exactly invite positive reflection on his postseason.

But whenever Minnesota is finished, history will show that Randle, with his performance against Golden State, joined Kevin Garnett as the only players in team history to average 25 points and seven assists in a playoff series. And in that Warriors series, he became the only player in franchise history with 20 points and 10 assists in consecutive playoff games.

Elimination brings disappointment and shallow nuance, and particularly so when the Thunder are, by almost every measure, a better team.

But for Randle, it’s not that the Thunder are unstoppable. It’s that they are unique.

“They’re a team that’s different than any of the other [great] teams,” Randle said.

“They’ve completely formed a championship-caliber team based off of their defense, No. 1, but even more so, it’s how they play defense. They’re not just a defense that bogs you down and stops you from scoring. Their identity is creating points off of turnovers and high pressure, which is different. You don’t really see high-pressure defenses in the NBA.

“You see that more in college and stuff like that. I remember being in college and playing Louisville and they used to press and trap and all those different types of things. … It’s a different kind of team, obviously, than I’ve played in my career.”

The Thunder have famously been building for years. The Wolves are in Year 1 of a totally revamped roster, still finding the continuity and consistency that often define champions.

There’s no better example of that search than Randle’s Game 2 benching and Game 3 dominance.

“He just said, ‘I’ll be ready and I’ll be better,'” Edwards said of Randle’s approach. “And that’s leadership, man.”



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Could Hollywood’s Vision of a Black Woman President Help Make It Possible?

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Angela Bassett’s turn in Mission: Impossible blurs the line between the impossible fictions and possible realities of women’s power in American politics.

Angela Bassett as President Erika Sloane in Mission: Impossible—The Final Reckoning. (Paramount Pictures)

This is Part 1 of a two-part series on women leaders and feminist leadership. Part 2—out Monday, June 2—continues with a public syllabus.


Spoiler alert: This piece contains plot details from Mission: Impossible–The Final Reckoning.

The Final Reckoning—the eighth and final installment of Mission: Impossible—went toe-to-toe with Disney’s live-action remake of Lilo & Stitch in a global mega blockbuster blowout for the Memorial Day holiday weekend. As a movie franchise, it did not disappoint, as audiences feasted their eyes on a series of magically impossible feats that only a Tom Cruise-led Hollywood vehicle could deliver.

This action behemoth featured Cruise’s action hero Ethan Hunt deep-sea diving through a submarine buried 500 feet deep into the abyss. He also withstood sub-zero temperatures as he swam near naked just below the Bering Strait (even though he had to be resuscitated back to life). And of course, how could we not have another sky-diving action sequence as he engaged in a plane duel with his nemesis thousands of feet up in the air? This intense action—plus the usual bomb explosions, country-hopping across the globe, and a fearsome AI threatening world domination through nuclear-powered annihilation—made for a captivating cinematic thrill ride that can only come to life on the big screen.

Hayley Atwell as Grace, Simon Pegg as Benji Dunn, Pom Klementieff as Paris, and Greg Tarzan Davis as Degas in Mission: Impossible—The Final Reckoning. (Paramount Pictures)

And yet, of all these death-defying spectacles offered in a packed action flick, perhaps the most implausible fiction was…

A Black woman president of the United States?!

Angela Bassett, who previously appeared in the franchise as CIA director Erika Sloane in Fallout (2018), reprised her role, now promoted to the U.S. president—a role that was hinted at in a wall portrait in the previous film Dead Reckoning (2023). Bassett had already demonstrated her ability to portray a woman’s skilled leadership in the Marvel franchise Black Panther as Queen Ramonda, especially in the Wakanda Forever sequel (2022) for which she received an Oscar nomination for Best Supporting Actress.

Her presidential portrayal in Final Reckoning continued in the same vein, even though mainstream films often exaggerate women’s maternal instincts through such leadership, a theme that continues with President Sloane’s personal (and not just political) investment in the imminent threat of global war, since she has a son who is literally on the front lines. We may well allow for such gendered depictions in our cinematic fictions given that we even have space to imagine a Black woman in this role in the first place.

Indeed, I could not help but to have a bittersweet reaction upon seeing Bassett in the most powerful role amid all the militarized spectacle of fighter jets, submarines and air carriers mobilized for this most patriotic of films celebrating spy agents serving the nation.

Perhaps the filmmakers, like myself, had already anticipated the 2024 Democratic presidential nominee Kamala Harris as leader of the free world. (The movie began production in 2022 when she was already serving as vice president.)

Vice President Kamala Harris waves before boarding Air Force Two after assessing the Hurricane Helene recovery response in North Carolina on Oct. 5, 2024, in Charlotte. (Mario Tama / Getty Images)

Granted, some took umbrage (especially among progressives) when VP Harris constantly reminded everyone in her campaign speeches that the U.S. military was the “most lethal force” in the world, and one she was prepared to lead as a commander in chief. While such a role does not promote the idea of feminist governance, it nonetheless envisions a woman being willing to lead in times of war and conflict.

Such power manifested in Final Reckoning when President Sloane came close to pushing the nuclear button to thwart the global takeover of a powerfully conscious AI (but she eventually refrains from doing so due to her compassion and trust in Ethan Hunt to save the day). Even here, in fiction, her power is challenged during an attempted assassination. Whether impossibly fictional or possibly real, Black women’s power to lead is deemed a threat.

The movie certainly would hit differently if a Black woman were currently in the White House. However, current policies and ideologies have undermined the promise of a multiracial and gender-inclusive America that Kamala Harris—and Hillary Clinton before her in the 2016 presidential race—had championed. This promise of racial inclusion and gender equality remains a distant goal and is still seen by too many as a threat to conservative values.

What does it mean that a movie like Final Reckoning, with all its death-defying challenges, seems like an impossible fiction, with a Black woman presiding over a diverse collection of strong-willed women leaders and people of color in positions of power and alliances, as was depicted throughout the film?

When it comes to women in head-of-state positions and leadership, the United States still lags behind other nations. Indeed, Mexico had already advanced ahead of us with the election of Claudia Sheinbaum in 2024 as its first woman president (in a race featuring two women candidates no less).

Unfortunately, our reality undercuts the plausibility of fictions dramatized in movies like Mission: Impossible.

Dennis Haysbert as President David Palmer in 24. (Fox)

These cinematic representations nonetheless invite us to envision the impossible as possible reality. Before Barack Obama became the first Black president of the U.S., Hollywood had already projected such a presidency in television series like 24 (with Dennis Haysbert in the presidential role) and disaster movies like Deep Impact (portrayed by Morgan Freeman). Perhaps more depictions of women leaders could similarly pave the way for women in real life.

Television has demonstrated its willingness to advance such representations, from the short-lived ABC drama Commander in Chief, starring Geena Davis, to HBO’s Veep, starring Julia Louis-Dreyfus as VP Selina Meyer who eventually breaks the glass ceiling as the first woman president, to Shonda Rhimes’ Scandal on ABC that transitioned Bellamy Young’s Mellie Grant from a beleaguered and ambitious first lady role to first woman president.

Bellamy Young as President Melody “Mellie” Grant on Scandal. (ABC)

The big screen now has a chance to follow in the ambitions of small-screen representations of women’s leadership, which can only normalize such roles so that our reality will eventually catch up with our imaginations.

It is beyond time that a woman president (of any color) of this nation becomes a possible reality and not just an impossible fiction.





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‘Blue Bloods’: How Well Do You Know Danny Reagan? Take the Quiz for a Chance to Win Signed Donnie Wahlberg Special Issue | Entertainment

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Blue Bloods may have ended after 14 seasons in December 2024, but the good news is that fans will get to continue to see one of the Reagan family on screen. Donnie Wahlberg is reprising his role as Danny Reagan in a new series in the Blue Bloods universe, set to premiere in the fall 2025.



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Beyoncé helps fans with onstage gender reveal during ‘Cowboy Carter’ tour

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Imagine being able to tell people one day that Beyoncé helped your parents with your gender reveal.

A very lucky (future) Beyhive member can do just that after the Grammy winner ended the May 28 stop of her Cowboy Carter tour with a super-sweet moment onstage.

Early in the fourth show at MetLife Stadium in East Rutherford, N.J., Beyoncé is seen reading a fan’s sign. The sign explained that the couple’s firstborn is named Carter and asked the singer to help with the gender reveal of their second child.

“I’ll be back. I’m going to do it later,” Beyoncé said into her microphone before exiting the stage in a fan-shared video.

And the singer proved she’s true to her word towards the end of the night. Wrapping up her performance, Beyoncé circled back to the couple and kneeled on the stage to take the folded-up sign from them, which revealed the answer inside.

“I had to come back to you. I didn’t want to rush this, because this is important,” the mom of three told the couple in a fan video shared on Tina Knowles’ Instagram page. “A once-in-a-lifetime gender reveal. I had to take my time.”

Although she initially struggled to open the package — an endeavor made difficult by the night’s unrelenting rain and her elbow-length gloves — the “Daddy Lessons” singer soon flashed the couple a warm smile as she held up the piece of paper that read “COWBOY.”

“It’s a boy,” she confirmed to the cheering crowd. “God bless you. Congratulations! Thank you so much for letting me be a part of it.”

“I’m keeping this,” she jokingly added, holding up the torn package.

In her post’s caption, Knowles teased her daughter for pausing the concert for the gender reveal in the rain. “I was like girl you gonna get sick,” the 71-year-old Matriarch author wrote.

But it isn’t the only time Beyoncé has been an impromptu assistant for a gender reveal. She did the same during a July 2023 stop at the RheinEnergieStadion in Cologne, Germany, on her Renaissance World Tour.

That time around, the “Cozy” singer simply said “girl” into the microphone, in a tone referencing her 2011 hit single “Run the World (Girls).” She then gave her well wishes to the soon-to-be parents as the crowd cheered.

“Congratulations! Congratulations, beautiful!” she said. “God bless you!”

Babies have been a big element of the tour since the award-winning pop icon kicked off her highly anticipated tour in April.

Beyoncé’s own (not-so-little) daughters Blue Ivy, 13, and Rumi, 7, have been sharing the spotlight on stage with their mom since the tour’s opening, which marks the latter’s tour debut. This is Blue’s second run on tour with a mother, with the teen previously dancing on stage with her mom during the Renaissance album tour throughout 2023.

Beyoncé shares Blue Ivy and twins Rumi and Sir with her husband, rapper Jay-Z, whom she married in 2008.

Beyoncé performs on stage with daughters Blue Ivy and Rumi.

Parkwood Entertainment


Knowles, ever the proud grandma, recently opened up to TV host Gayle King about sharing a moment on stage with her daughter and granddaughters during a recent stop on her Matriarch book tour.

“I got to be on there with [Beyoncé] and Blue and Rumi, and that made it so special,” she said, adding, “It was from a different perspective — I’m usually behind the stage — but it was actually fun. It was exciting.”

As for her granddaughter, Knowles told King that she asked the 7-year-old once how she feels being on stage with thousands of people waving and clapping back at her.

“She said, ‘It feels powerful,'” Knowles shared with a laugh.





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Lester Holt Signs Off from NBC Nightly News

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News junkies devoted to watching Lester Holt anchor the “NBC Nightly News” will have to get used to a new face bringing them all the day’s developments come Monday, June 2.

Holt will sign off the broadcast Friday, May 30 after a decade in the anchor chair.

Holt has covered a tumultuous decade of news since taking the helm, including the pandemic, international conflicts, and several hotly contested presidential elections. He also played a key role in NBC’s Olympic coverage.

But while he’s stepping down from anchoring the news, Holt isn’t leaving NBC News.

Instead, he’ll turn his full focus to prime time news program “Dateline NBC.” Holt has been part of “Dateline” since 2011, but says he wants to “dive deeper” into investigative projects and long-form storytelling.

“I’m excited to report I will be continuing as anchor of Dateline NBC, but for the first time in a full time capacity whereby I will be expanding my footprint on the broadcast and crafting ‘Dateline’ hours on subjects I care deeply about,” Holt wrote in his official statement announcing the end of his tenure as “NBC Nightly News” anchor. “I am thrilled to be able to work more closely with my enormously talented friends at ‘Dateline’ as the broadcast continues to grow and attract new viewers in new places.”


Who Will Replace Lester Holt on ‘NBC Nightly News’?

NBC national correspondent Tom Llamas will take over as anchor of “NBC Nightly News” on Monday, June 2. Llamas will also continue to host his primetime streaming program “Top Story with Tom Llamas” on NBC News NOW.

Llamas has filled in for Holt on “Nightly News” since coming to NBC four years ago. He’s also contributed to the “Today Show.”

“I look forward to working with the world class journalists at Nightly News and Top Story to bring viewers the most important stories every night,” Llamas said in a statement. “Lester Holt is a great man and one of the most trusted broadcasters of our time. Just like Lester, I promise to be devoted to our viewers and dedicated to the truth.”


Lester Holt Says His Wife Helped Convince Him to Step Down

In an interview with Variety, Lester Holt revealed that his wife played a key role in helping him decide to shift his full focus to “Dateline.”

“The big buy-in was to be able to do more of the hours,” Holt said. “I once spent two nights in prison for a ‘Dateline,’ and I’ve done heartbreaking stories on the asthma crisis and the economy. I’ve done a lot of things that are outside of what many would think is a traditional ‘Dateline,’ but I want to do more of those, and I want to be able to tell a producer, ‘Yes, I’ll be there for that interview next week,’ because I won’t be jumping after whatever is happening for ‘Nightly.’”

Still, 66-year-old Holt says it took some convincing. “It wasn’t like one moment of epiphany,” Holt said. “I never saw myself doing this job forever. I decided that I needed to come off the ‘Nightly’ gig, but I still had gas in the tank.”

“We’re still doing journalism, but these are hour and two-hour shows we’re doing. Some of the stories you’ll see me doing will be months in the making.”

 “People say it’s been a great run,” Holt said, emphasizing that he’s in no way ready to retire. “It’s like, well, I’m still running.”


How to Watch Lester Holt’s Final Newscast

Lester Holt’s final “NBC Nightly News” broadcast airs Friday, May 30 at 6:30p.m. ET on NBC.





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Same Game Parlay for May 29

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This article is part of our MLB Picks series.

MLB Best Bets Today: Athletics vs Blue Jays Same Game Parlay Picks

Last week, we had a rainout, and Monday was a holiday, so it has been a hot minute since we’ve had any winners in this space. Thankfully, that also means no losers here, either! Thursday brings an extremely small schedule, but one of the games brings solid opportunity with it. Time to head to Canada for Thursday’s single game focus.

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MLB Same-Game Parlay: Athletics at Toronto Blue Jays

Athletics ML (+140 @ DraftKings)

While it is true the A’s have lost seven straight on the road, some context is necessary. The bulk of those games came against top competition (Dodgers and Giants), and the A’s have been quite successful on the road at 14-14 overall. Toronto is the first losing team the A’s have played in a while and the pitching matchup actually favors OakSacVegas. A’s LHP Jacob Lopez has been effective all year out of the ‘pen, and in his first start last week, he held the Phillies to three hits and one run over seven innings while striking out right. Jays RHP Jose Berrios has been a disappointment with his 4.22 ERA and 1.40 WHIP to start the year. There is definite opportunity for the A’s to get right in this game and start this road trip off on the right foot. 

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Athletics/Blue Jays OVER 8.5 (+100 @ Caesars)

As mentioned above, Berrios has been less than stellar this year. His strikeout numbers have been alarmingly low and he rarely goes more than six innings. Lopez has been very good, but I don’t expect him to replicate the numbers from his first start. Four of the last five games involving the Athletics have gone over this total and this one has a 6-3 type of feel. 

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Jacob Lopez OVER 3.5 Strikeouts (+115 @ BetMGM)

Lopez has 17 Ks over 14 innings, good for a 10.9 K/9 ratio, and he is coming off a fantastic start against Philly. I think the books are way off on this line and I’d jump on this with an alternate line of Over 4 to 4.5 for a greater payout, if possible. 

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MLB Picks Recap

  • Athletics ML (+140 @ DraftKings)
  • Athletics/Blue Jays OVER 8.5 (+100 @ Caesars)
  • Jacob Lopez OVER 3.5 Ks (+115 @ BetMGM)



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How Sarah Silverman kept her Matt Damon viral video a secret from Jimmy Kimmel

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It’s been 17 years since we all learned a little too much about Sarah Silverman’s love life.

On Jan. 31, 2008, Silverman surprised her then boyfriend Jimmy Kimmel with a gag video, revealing that she was involved in an affair with Matt Damon. The resulting clip turned into an early YouTube sensation, and added tankers-worth of fuel to the ongoing phony Damon-Kimmel feud.

Silverman, who has a new Netflix special out now called PostMortem, stopped by Ted Danson’s Where Everybody Knows Your Name podcast and recalled how the video came together.

Matt Damon and Sarah Silverman “canoodling” in the classic clip.

ABC


The initial idea, Silverman said, came from “two writers on Jimmy Kimmel Live!, Tony Barbieri and Sal Iacono, Jimmy’s cousin Sal. I was on tour, and I was going through Miami, and that’s where Matt Damon was living at that time. So we planned to do something when I was there.”

She continued, “[Jimmy and I] were a couple, and I remember I had to lie to him about where I was on tour, and I’m not good at that at all. I was just like, ‘Commit to this.’ The night before, we got together, and we wrote the song in a studio and recorded it. We wrote the song, like, in a fury, and one of the guys did Matt’s voice. Then we had three hours at this hotel the next morning, and Matt had also given us three hours because he had a hard out at noon, because his daughter had a Halloween pageant.”

Danson, who admitted he had missed the phenomenon when it first happened, asked a bit about the lore of the Damon-Kimmel feud, a running gag that has gone on to involve Ben Affleck, Jimmy Fallon, Justin Timberlake, and schtick at the Oscars ceremony and the World Series.

Silverman explained how early on Kimmel had trouble securing guests.

“I remember his second guest was a man with the longest arm hair. Like, it was really slim pickings. He couldn’t get anyone. And I said, ‘You should, say, take the biggest movie star, you know, Matt Damon. Say, ‘Sorry, Matt Damon, we ran out of time’ at the end of the show. And then he started doing that. And then when Matt started engaging in it, he was like, ‘I wanna do this, but don’t ever stop doing it.’ And I think he still to this day says, ‘Sorry, Matt Damon, ran out of time.'”

Matt Damon and Jimmy Kimmel attend a World Series game together in 2018.

Jerritt Clark/Getty


Getting back to the shooting of the video, Silverman explained, “[Damon] came in and learned it in a closet in one of the hotel rooms, recorded his part, and then we just played the audio and lip-synced it. And we had four different locations, and it was just, like, run and gun. And it came out so great.”

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Kimmel, meanwhile, knew nothing about it, and didn’t know what he was going to see when Silverman rolled the clip on the show.

“I think he acted mad because he felt like he needed to,” she said. “But he loved it. And I remember we were brushing our teeth before the show, you know, like, in his dressing room, and he goes, ‘Everyone says this video is great.’ And I go, ‘Keep your expectations low. It’s just a funny video.’ But it really was kind of one of the first viral videos, and it’s so funny because after that, people would try to hire me to make a viral video, and I was like, ‘Everyone wants to make a viral video. That’s everyone’s intention, I’m sure, but that’s not something you can make.'”

Sarah Silverman in a promotional image from her new Netflix special, “PostMortem”.

Clifton Prescod/Netflix


Silverman also said that she had rewatched the clip for the first time in a while about a year ago. “I was like, ‘This actually holds up. So much of my comedy, and comedy in general, is just not evergreen. But that one felt pretty evergreen.”

You can hear Silverman’s full chat with Danson below.



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Lawsuit against Oklahoma’s social studies standards goes to court

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RELEASED THE NAME OF THE VICTIM. WELL, TODAY, THE OKLAHOMA DEPARTMENT OF EDUCATION IS EXPECTED IN COURT LATER THIS AFTERNOON. THE DEPARTMENT AND STATE SUPERINTENDENT RYAN WALTERS, FACING A LAWSUIT OVER THE NEW SOCIAL STUDIES STANDARDS. KOCO SHELBY MONTGOMERY. SHE’S IN THE STUDIO WITH US THIS MORNING WITH THE DETAILS THAT LED UP TO THIS CASE. GOOD MORNING. YES. SO THE PARENTS, THE GRANDPARENTS AND THE TEACHERS WHO ARE BEHIND THIS LAWSUIT ARE FIGHTING THE WAY THOSE SOCIAL STUDIES STANDARDS WERE ADOPTED. AND WHAT IS GOING TO BE TAUGHT? WALTERS AND THE DEPARTMENT APPROVED THOSE NEW STANDARDS IN FEBRUARY, BUT SOME MEMBERS OF THE BOARD SAY THOSE STANDARDS THAT WERE APPROVED WERE THEN QUIETLY CHANGED BEFORE THEY WERE SENT TO THE LEGISLATURE FOR FURTHER APPROVAL. THOSE STANDARDS INCLUDE CLAIMS OF DISCREPANCIES IN THE 2020 PRESIDENTIAL ELECTION AND THE ORIGINS OF COVID 19. THE SUBSTANCE OF THE STANDARDS HAS CERTAINLY BEEN A POINT OF DISCUSSION AND DEBATE. THEY WANT THE PROCEDURE REVIEWED BY A COURT OF LAW TO ENSURE THAT THESE RULES WERE PROPERLY BEFORE THE STATE BOARD OF EDUCATION AND PROPERLY TRANSMITTED TO THE LEGISLATURE. RYAN WALTERS TOLD KOCO THE VOICES ATTACKING THESE STANDARDS COME FROM THE TEACHERS UNION PLAYBOOK. NOW, THE PLAINTIFFS WANT THE COURT TO DECIDE IF THOSE STANDARDS ARE LEGITIMATE OR IF THEY SHOUL

Lawsuit challenging Ryan Walters’ and OSDE’s social studies standards set to be heard in court

The standards include claims of “discrepancies” in the 2020 presidential election and the origins of COVID-19

State Superintendent Ryan Walters and the Oklahoma State Department of Education are being challenged in court over the state’s new social studies standards. The parents, grandparents and teachers behind the lawsuit are fighting the way those social studies standards were adopted and what is going to be taught. Walters and the OSDE approved the new standards in February. Some board members, however, said the approved social studies standards were quietly changed before they were sent to the state legislature for further approval. >> Click here to read the OSDE’s social studies standards.Those standards include claims of “discrepancies” in the 2020 presidential election and the origins of COVID-19. There was no evidence that there was widespread voter fraud during the 2020 election. Video Below: Lawsuit against Ryan Walters, OSDE questions process used to pass social studies standards”They want their children, their grandchildren and their pupils to be educated in a way that’s consistent with the law. And, in our view, again, we’re gonna be in court with this; but the law was not followed,” said Mike Hunter, the former Oklahoma attorney general who is representing the group who filed the lawsuit. Walters told KOCO 5 that the voices attacking the standards come from the teachers union playbook. The plaintiffs want the court to decide if the standards are legitimate or should be tossed out. The hearing is scheduled for 2:30 p.m. Wednesday. Video Below: Oklahoma State Department of Education’s controversial social studies standards approvedTop Headlines TIMELINE: Storms with hail and low tornado risk possible in Oklahoma late Wednesday OHP: Oklahoma teenager dies in ATV crash on county road VIDEO: A family’s missing French bulldog found 1,000 miles away in Chicago The best mattresses for every type of sleeper Crash involving semi-trailer shuts down southbound I-35 near Goldsby

State Superintendent Ryan Walters and the Oklahoma State Department of Education are being challenged in court over the state’s new social studies standards.

The parents, grandparents and teachers behind the lawsuit are fighting the way those social studies standards were adopted and what is going to be taught.

Walters and the OSDE approved the new standards in February. Some board members, however, said the approved social studies standards were quietly changed before they were sent to the state legislature for further approval.

>> Click here to read the OSDE’s social studies standards.

Those standards include claims of “discrepancies” in the 2020 presidential election and the origins of COVID-19. There was no evidence that there was widespread voter fraud during the 2020 election.

Video Below: Lawsuit against Ryan Walters, OSDE questions process used to pass social studies standards

“They want their children, their grandchildren and their pupils to be educated in a way that’s consistent with the law. And, in our view, again, we’re gonna be in court with this; but the law was not followed,” said Mike Hunter, the former Oklahoma attorney general who is representing the group who filed the lawsuit.

Walters told KOCO 5 that the voices attacking the standards come from the teachers union playbook.

The plaintiffs want the court to decide if the standards are legitimate or should be tossed out. The hearing is scheduled for 2:30 p.m. Wednesday.

Video Below: Oklahoma State Department of Education’s controversial social studies standards approved


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