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Musk slams bill that would ‘destroy’ jobs, raise taxes on wind, solar projects

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Former DOGE head and tech mogul Elon Musk took to X on his 54th birthday Saturday to bash the latest Senate draft of President Donald Trump’s “big, beautiful bill,” which would “destroy millions of jobs” and raise taxes on all wind and solar projects that have not yet started construction.

“The latest Senate draft bill will destroy millions of jobs in America and cause immense strategic harm to our country! Utterly insane and destructive,” Musk wrote in the post.

The post comes after Musk had a public falling out with Trump earlier this month over the administration’s “big, beautiful” spending bill.

Elon Musk alleged the wind and solar cuts would be detrimental to the economy. (Adam Glanzman/Bloomberg via Getty Images / Getty Images)

FLASHBACK: MUSK ACCUSED TRUMP, GOP LEADERS OF NOT WANTING TO CUT SPENDING — HERE’S WHERE THEY SAID THEY WOULD

The billionaire criticized the first version of the bill June 3, calling it a “massive, outrageous, pork-filled Congressional spending bill [that] is a disgusting abomination.”

“Shame on those who voted for it: you know you did wrong,” Musk wrote in the June 3 post. “You know it.” 

Trump and Musk

Elon Musk’s spat with President Trump over the “big, beautiful bill” continues to rage. (Getty Images / Getty Images)

‘HE’S NOT A BIG FACTOR’: TRUMP’S SENATE ALLIES DISMISS ELON MUSK’S CALLS TO ‘KILL THE BILL’

The new version, which Senate Republicans hope to deliver to the president by July 4, was debuted Friday night by Senate Budget Committee Chair Lindsey Graham, R-S.C.

Among the changes in the bill are adjustments to the Medicaid provider tax rate, cost-sharing for food benefits, caps on state and local tax (SALT) deductions and cuts to wind and solar incentives.

The new spending guidelines limit credits to sites that start production before 2028 and introduce new taxes on certain projects that commence thereafter.

ELON MUSK POSTS ‘KILL BILL’ MEME IN LATEST PUSH TO NIX TRUMP’S ‘BIG, BEAUTIFUL BILL’

In his post about the environmental cuts, Musk said the bill would give “handouts” to industries of the past, while severely damaging industries of the future.

The American Clean Power Association (ACP) issued a similar statement Saturday, noting the new taxes would freeze energy investments, reduce domestic energy production and drive up household energy bills.

“With no warning, the Senate has proposed new language that would increase taxes on domestic energy production,” ACP CEO Jason Grumet wrote in a statement. “In what can only be described as ‘midnight dumping,’ the Senate has proposed a punitive tax hike targeting the fastest-growing sectors of our energy industry.”

A wind turbine rotates in rural Lee County on March 27, 2024, in Illinois.

 The wind and solar cuts have been criticized by Senate Democrats. (Stacey Wescott/Chicago Tribune/Tribune News Service via Getty Images / Getty Images)

DAVID MARCUS: MUSK VS. MAGA ON ‘BIG, BEAUTIFUL BILL,’ BUT GOP NEEDS BOTH

Grumet added the new taxes would “strand hundreds of billions of dollars in current investments, threaten energy security, undermine growth in domestic manufacturing and land hardest on rural communities who would have been the greatest beneficiaries of clean energy investment.”

“We understand the Senate’s desire to meet the President’s July 4th deadline, but the stakes here are very high,” he wrote. “We urge Senate leadership to strike these last-minute tax increases and to take the time to responsibly analyze the impacts of this new tax regime on American businesses and communities.”

Sen. Elizabeth Warren, D-Mass., on Saturday afternoon said she was helping to hold the Senate “all night” to “FORCE” a full reading of the nearly 1,000-page bill.

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“Democrats need to use every second to fight back against the Big Beautiful Bill,” Warren wrote on X.

The White House did not immediately respond to Fox News Digital’s request for comment.

Fox News Digital’s Alex Miller, Rachel del Guidice and Brian Flood contributed to this report.



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D-backs’ Ketel Marte says fan shouted he messaged late mother

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Arizona Diamondbacks second baseman Ketel Marte said a fan in Chicago who brought him to tears during a game against the White Sox this week shouted that he messaged his late mother the previous night.

The two-time All-Star revealed what was said during an interview Friday with Spanish-language journalist Yancen Pujols.

“A fan was up on the dugout shouting things about my mother,” he said. “He was like, ‘Last night I sent a message to your mother.'”

Marte was seen in tears on the field after the 22-year-old spectator yelled a derogatory comment about Marte’s late mother during a seventh-inning at-bat in Arizona’s 4-1 win over Chicago on Tuesday night. Major League Baseball banned the fan indefinitely from all stadiums the following day.

Marte’s mother, Elpidia Valdez, died in a car accident in the Dominican Republic in 2017. He said he’s used to being taunted but had never been heckled about his mom. He said what made it more painful for him was the Diamondbacks were in Chicago to play the Cubs when she died.

“We have to do something about the fans; they’re going too far,” he said. “They always shout things about me, but not about my mother. Everyone knows that my mother died in an accident. And nothing. We’re praying for him, for the guy who shouted, and for his family, you know? May God protect him. May God protect him and cleanse his heart. They always shout things at me but I don’t pay attention, but when they talk about my mother, it’s a different story.”



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‘He’s dangerous’… Alexandre Pantoja could get knocked out by Kai Kara-France at UFC 317, according to UFC star

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Alexandre Pantoja could be in for a rude awakening against Kai Kara-France, according to an MMA icon.

The Brazilian is scheduled to make the next defence of his flyweight title later tonight at UFC 317 inside the T-Mobile Arena in Las Vegas, Nevada, USA.

In recent years, the champion has proven himself as one of the best in the history of the division. Pantoja ruthlessly finished Matt Schnell and recently dominated Kai Asakura.

However, he’ll need to be on his A-game to emerge victorious against one of New Zealand’s finest.

WOW: Who is Alexandre Pantoja? Meet ‘The Cannibal’ dominating the UFC Flyweight division

Photo by Jeff Bottari/Zuffa LLC

Tom Aspinall says Kai Kara-France could knock Alexandre Pantoja out with his wild strikes

Tom Aspinall rates Alexandre Pantoja extremely highly.

However, he’s pointed out that the gifted competitor needs to watch out for the unorthodox striking game of Kai Kara-France.

On an episode of Tom Aspinall’s Fight Lab, he said: “These guys don’t get respect because of the power, but this guy, Kai Kara-France, he is someone that does have power and he is dangerous.

“He’ll stand with his hands relatively low, and he’ll just throw from back here with his full bodyweight, going forward with uppercuts and hooks.

“A lot of the time, he won’t do it from close in, he’ll bring the feet in slow and then just start winging them, which is very exciting. In my opinion, that’s what we need in the flyweight division.”

Israel Adesanya makes Alexandre Pantoja a promise about Kai Kara-France

Kara-France has honed his craft among some of the best in the business, including the great Israel Adesanya.

‘The Last Style Bender’ is very confident in his teammate.

Heading into UFC 317, Adesanya has made Pantoja a promise about Kara-France.





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Rihanna Puts a Chic Twist on Menswear in a Pistachio-Green Maternity Look at the Dior Show

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THE RUNDOWN

  • Rihanna and A$AP Rocky matched in cool tones at Jonathan Anderson’s first Dior menswear show in Paris.

  • Rihanna incorporated one of this season’s trendiest colors, pistachio green, into her look.

  • This marks the couple’s first big appearance since they attended the Cannes Film Festival last month.


Rihanna and A$AP Rocky brought their star power to Jonathan Anderson’s first Dior menswear show in Paris today. The couple coordinated their looks, with Rihanna standing out in a white top, pistachio-green vest (one of the season’s trendiest colors), gray slacks, and a long quilted jacket. The star and brand ambassador, who is expecting her third child with Rocky, wore her hair up and accessorized with sunglasses.

Rocky, meanwhile, complemented her in a pastel-blue button-up top and a striped tie.

Stephane Cardinale – Corbis – Getty Images

dior homme: outside arrivals paris fashion week menswear spring/summer 2026

Stephane Cardinale – Corbis – Getty Images

rihanna and asap rocky at dior homme

Arnold Jerocki – Getty Images

This marks the couple’s biggest joint appearance since they attended the Cannes Film Festival premiere of Rocky’s film Highest 2 Lowest last month:

rihanna and asap rocky at the 78th cannes film festival

Anadolu – Getty Images

Rihanna and Rocky announced they were expecting at the 2025 Met Gala, which Rocky co-chaired. Rihanna spoke to Entertainment Tonight about her pregnancy on the red carpet, saying, “I’m good. I’m shockingly feeling okay and not too overwhelmed at the moment. I mean, at first, it was kind of like, ‘Ahhh.’”⁠

The couple has two sons: 3-year-old RZA and 1-year-old Riot, who will turn two on August 1. Rihanna discussed her kids’ personalities in a Harper’s Bazaar interview earlier this year.

“RZA is just an empath,” she said. “He’s so magical. He loves music. He loves melody. He loves books. He loves water. Bath time, swimming, pool, beach, anything. And Riot, he’s just hilarious. When he wakes up, he starts to squeal, scream. Not in a crying way. He just wants to sing. And I’m like, ‘Okay, here we go!’ He’s my alarm in the morning! He’s not taking no for an answer from anyone. I don’t know where he came from, dude,” she joked.

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KPop Demon Hunters Soundtrack & Lyrics: Inside the Original Songs and TWICE Track

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This article contains major character or plot details.


In KPop Demon Hunters, music isn’t just an experience — it’s a force for good. 

The film, which is now streaming on Netflix, follows K-pop superstars Rumi (Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo) who use their secret identities as demon hunters to protect their fans from the ever-present supernatural danger. Their biggest threat comes in the form of rival group The Saja Boys, who are actually demons in disguise. 

The story is told through dazzling visuals from Sony Pictures Animation (Spider-Man: Across the Spider-Verse, The Mitchells vs. The Machines), as well as a heart-racing soundtrack featuring an original score by composer Marcelo Zarvos (The Diplomat, Fences). 

Directors Maggie Kang and Chris Appelhans also enlisted an array of top-level music producers to deliver chart-worthy K-pop tracks, including THEBLACKLABEL co-founder Teddy Park, who’s worked with artists such as Taeyang and the K-pop group Blackpink; Grammy winner Lindgren, who worked with renowned K-pop groups BTS and TWICE as well as solo artists Dua Lipa and John Legend; Grammy-nominated Stephen Kirk, who’s teamed with BTS and fellow K-pop band Tomorrow X Together; Jenna Andrews, who’s worked with BTS, Drake, and Jennifer Lopez; and executive music producer Ian Eisendrath, whose credits include the hit Broadway musical Come from Away and the series Only Murders in the Building.

With K-pop at the heart of the film, Eisendrath tells Tudum, “I’ve always thought of K-pop as the most theatrical genre of pop, and so I was just instantly excited by the possibilities of what could happen in a narrative context with the K-pop songs [and] incorporating actual, hit-making K-pop artists. I just felt like everything was really set up to be a special musical and narrative experience.”

So, how did those original songs come together? Below, Eisendrath walks us through the film’s original tracks and how they fit into the film’s overall narrative. Plus, you can sing along to several of these memorable tracks in the lyric videos embedded below. 

 


“How It’s Done”

Written by: EJAE, Mark Sonnenblick, and Danny Chung
Produced by: 24, IDO, TEDDY, and Ian Eisendrath
Performed by: EJAE, Audrey Nuna, and REI AMI

The film opens with fist-pumping splendor as Rumi, Mira, and Zoey battle a group of demons posing as members of their private jet’s flight crew. The sequence finds our titular heroes singing the anthem “How It’s Done” to their supernatural opponents before seamlessly dropping into a packed stadium of adoring fans to finish out the song as the K-pop group HUNTR/X.

“It was so important that we had something that felt like a K-pop hit [and] felt like when you first heard Blackpink,” Eisendrath says. “It had to have that energy, it had to set up a unique sonic world for these three girls and how they sing together, and it also had to be a banging opening number that everyone just was drawn into. We went through several different iterations, trying to find a beat and a tempo.”

Producers took inspiration from West Side Story’s “Jet Song,” a rousing mantra for the acclaimed musical’s teen street gang the Jets, to set the stage for HUNTR/X’s introductions. 

“We want to know that Zoey is this explosive rapper. Even though she looks so adorable and cute, she’s like fire. And Mira is the Dennis Rodman of the girl group, just equally explosive, but you never know what’s going to come out of her. She’s the dancer,” Eisendrath explains. “And then that really introduced Rumi as like, ‘This is our diva. This is the person you’re going to follow.’”

He adds, “You’ll notice Mira and Zoey have eight bars of rapid-fire rap, and then Rumi sings the bridge. That’s where you realize, ‘Oh my gosh, that’s going to be a voice that is spectacular, that’s ultimately going to be taken away from her.’ So it’s so important with that song, we fall in love with her voice and that we’re already rooting for her sound.”

 


“Golden”

Written by: EJAE and Mark Sonnenblick
Produced by: IDO, 24, TEDDY, and Ian Eisendrath
Performed by: EJAE, Audrey Nuna, and REI AMI

May Hong as Mira, Arden Cho as Rumi, and Ji-young Yoo as Zoey in 'KPop Demon Hunters'

With “Golden,” the film introduces the idea of the Golden Honmoon. Rumi, Zoey, and Mira work to protect the world from demons and hope to accomplish that by sealing their universe off from the supernatural beings. “When they do that, the Honmoon — which is sort of the power that watches over us and symbolized as a big circular moon — will turn gold,” says Eisendrath. “When that happens, their job is done.”

“In a traditional film musical structure, this is the ‘I want’ song,” he adds. “The whole point is, ‘It’s all going to be golden. We want to fulfill our destiny.’”

The song also explores Rumi’s inner thoughts about feeling like an outsider. “In the middle of the song is this bridge, [with] Rumi alone in her dressing room,” Eisendrath says. “Suddenly the song goes from being this inspirational pop to totally sotto voce … a little bit darker” as she’s seeing the demon patterns on her arms and hearing Zoey and Mira’s laughter through the walls.  

“She’s just looking at herself and realizing how completely isolated she is. She’s frightened, but then she girds herself back up,” Eisendrath says. “So where ‘Golden’ is the ‘I want’ song for all three girls, this bridge is a quick opportunity to check in on what Rumi wants, which is to seal the Honmoon, so the scars go away and all the demon in her is gone.”

 


“Soda Pop”

Written by: Vince, KUSH, and Danny Chung
Produced by: 24, DOMINSUK, and Ian Eisendrath
Performed by: Andrew Choi, Neckwav, Danny Chung, Kevin Woo, and samUIL Lee

The Saja Boys in ‘KPop Demon Hunters’

The Saja Boys are introduced with this upbeat track that leaves HUNTR/X — and the audience watching — swooning over their smooth vocals and undeniable swagger. The goal with the song, Eisendrath says, was to “create one of those super bubblegum-y K-pop boy band songs in the style of a song like ‘Butter’ [by BTS].”

“It’s the demons who are evil, but they decide to masquerade as a K-pop boy group, and just be the most appealing, innocent, charming people that have ever been seen performing a K-pop song,” Eisendrath explains. 

They first appear in an outdoor marketplace, already being swarmed by adoring fans. “All of a sudden, everybody is transfixed by them,” Eisendrath says. 

While the song sets up members Romance, Abs, Baby, Mystery, and lead singer Jinu (Ahn Hyo-seop) as unassuming heartthrobs, the lyrics hint at their sinister intent.

“If you really look at them, the underpinning is like, ‘We’re going to devour you. We’re going to eat you up. We are going to drink you up’ because that’s what the demons do,” Eisendrath explains. “They feed on souls. So it was like, ‘How do we say that in a way that appears [like an] innocent, fun, K-pop bop, but actually it’s expressing who these people really are and what they’re really after?’”

Danny Chung, who is part of THEBLACKLABEL and serves as a songwriter on the track, voices Baby Saja in the film. “He does the rap in the middle of the song,” Eisendrath shares. “It was really fun to work with him on something he’d written.”

 


“Takedown”

Written by: Lindgren
Produced by: Lindgren and Ian Eisendrath
Performed by: EJAE, Audrey Nuna, and REI AMI

May Hong as Mira, Arden Cho as Rumi, and Ji-young Yoo as Zoey battle demons in 'KPop Demon Hunters'

With Rumi, Mira, and Zoey growing increasingly frustrated over their rivalry with The Saja Boys, “Takedown” becomes their warrior anthem. 

“They’re writing a song that is going to express their rage, their vengeance, and what they’re going to do to these demons that are not only threatening the world, but also their careers,” Eisendrath says. “It’s got to be hard, as an artist, to watch this other group come in [and] steal all their fans. The idea of ‘Takedown’ is this diss track that is going to scare away, intimidate, and drive away the demons.”

With venomous lyrics that serve as a battle cry against all demons, Rumi — who’s half demon — struggles to sing the song. “What this reveals is how much Mira and Zoey would hate her and want to destroy her if they knew that she had the demon patterns,” Eisendrath explains. “As she’s losing her voice and starting to deal with what can no longer be hidden, you see her in a studio trying to rewrite the lyrics and make them softer.”

However, demons disguised as Mira and Zoey reject Rumi’s alternate version and decide to perform the musical takedown. On stage, she lives her worst nightmare as the whole arena becomes demonic and “Takedown” is sung to her. 

The song, as well as the film’s other original tracks, were written and recorded before being structured into the film. “We were always writing for the narrative of the film, but we wanted to make sure that they could be stand-alone records,” Eisendrath notes. 

 


“Free”

Written by: Jenna Andrews, Stephen Kirk, and Mark Sonnenblick
Produced by: Jenna Andrews, Stephen Kirk, and Ian Eisendrath
Performed by: EJAE and Andrew Choi

Jinu and Rumi share their deepest secrets and wants in an emotional ballad that explores the potential of what they could be together. 

“There are great walls between them and the whole thing is, ‘What would it be like if we could be together and free? Because right now, we’re not,’” Ian Eisendrath says. “They even hatch the plan that they’re going to work together to eliminate the demon within them. At this moment, their idea of how to do this is wrong, but we’re rooting for the fact that they both want to do this. And it’s the moment that you really believe these two are going to end up together.”

The song is “two people singing to each other, and sharing things they’ve probably never shared with another human in the world,” he adds. “It’s like this musical picture of what they want to be in their life, and that they see each other … You believe that they’re a team, and that they’re going to go do this together, so we end that song with hope and being totally convinced of this couple.”

 


“Your Idol”

Written by: EJAE, Mark Sonnenblick, Vince, and KUSH
Produced by: 24, IDO, and Ian Eisendrath
Performed by: Andrew Choi, Neckwav, Danny Chung, Kevin Woo, and samUIL Lee

The Saja Boys in ‘KPop Demon Hunters’

The Saja Boys set their fans up for the villainous Gwi-Ma (Byung Hun Lee) to feast upon with this hypnotic track, performed in black hats and paranormal spectacle. 

“They knew the story, and what they were going to wear, and so it just kept being called the ‘Black Hats’ song,” Eisendrath says. “We just kept seeing these pictures, which were so demonic [and] chic.”

Eisendrath knew the song needed to be dark and otherworldly. “We went through a few different options but finally landed at [the final version], which just feels heavy and dark and brooding — but also sort of thrilling.”

Whereas “Soda Pop” was subtle and understated, “Your Idol” drops the veil and reveals the demon boy band in all their supernatural glory. 

The song hits at the point in the film where the stakes are high, and it’s a battle for the world. “By now, they have so much power over [their fans] that they come out and say it. ‘I’m going to be your idol. I’m going to be in charge of you. I’m going to rule you. You are no longer powerful. You are powerless,’” Eisendrath explains. 

“Your Idol” also features a “big choir from Hell because it was like the mouths of Hell opened up for this song, and is about to swallow everyone until Rumi intervenes,” he adds. 
 


“What It Sounds Like”

Written by: Jenna Andrews, Stephen Kirk, and Mark Sonnenblick
Produced by: Jenna Andrews, Stephen Kirk, and Ian Eisendrath
Performed by: EJAE, Audrey Nuna, and REI AMI

The film draws to an epic conclusion with an energetic finale track that is both a “hit inspirational pop song, but also delivers on Rumi’s journey, realizing that this whole plan to seal the Honmoon and get rid of all the demons is evil,” Eisendrath says. 

Rumi, finally figuring out what her mission actually is, decides to destroy the Honmoon along with the notion of demons versus humans. “And acknowledge the fact that we’re all unique, that we’re all individuals, and get to be individuals,” Eisendrath notes. “That is what creates harmony.”

With the hook, “This is what it sounds like,” Rumi is “singing in her most authentic, rich, not squeaky-clean K-pop sound,” he explains. “What she says is, ‘This is my voice without the lies. This is who I really am. This is what I look like. These are my patterns. This is what it sounds like.’ And we wanted it to be like a battle cry.”

As Rumi spreads this message through song, she’s also calling back souls from the demonic world. “You see them completely lost. They’re powerless and through this song, through her showing up [and] being herself, people awaken, and they start to make music together,” the music producer adds. “What it sounds like is this incredible roar from all the people in the stadium, all the people in Seoul, all the people in the world. It really cements that idea of the film that music brings us together; connection is what we all need to survive, and connection can only be as real and authentic as people are.”

 


“Takedown” (TWICE version)

Written by: Lindgren
Produced by: Lindgren and Ian Eisendrath
Performed by: Members of TWICE (TWICE appears courtesy of JYP Entertainment Corporation)

Jeongyeon, Jihyo, and Chaeyoung of the popular K-pop group TWICE lent their voices to this original song, which appears in the film’s credits sequences and is the centerpiece of the group’s TikTok dance challenge. 

Chaeyoung told Netflix, When I first heard the song, it was so intense that I wondered, ‘Can we really pull this off?’ But as we recorded it, working on a style we hadn’t tried before turned out to be really fun. It feels great to be part of a movie that is about K-pop.”

Jeongyeon added, “[KPop Demon Hunters] was the first time just the three of us from TWICE recorded a song together. It was such a special experience. I’m so happy that the voices of the three of us will be heard all around the world, and this song will last forever.”

KPop Demon Hunters is now streaming on Netflix. 

With reporting from Stephan Lee. 



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Ben Roethlisberger stands at the precipice of the Hall of Fame while Josh Allen rises like a comet

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The Rise of Josh Allen and the Legacy of Ben Roethlisberger

In the dynamic world of the NFL, the mantle of quarterbacking excellence is transitioning. As Ben Roethlisberger prepares for a likely first-ballot Hall of Fame induction, the conversation around his storied legacy intertwines with the rapid ascent of Josh Allen, the talented signal-caller for the Buffalo Bills. Roethlisberger, a stalwart for the Pittsburgh Steelers, finds his accomplishments juxtaposed against Allen’s burgeoning career, which is propelling him into the discussion of elite quarterbacks.

Roethlisberger’s Impressive Legacy

Ben Roethlisberger has become a symbol of resilience and triumph during his distinguished NFL career. Not only has he revolutionized the quarterback position, but he has solidified his legacy within football history through two Super Bowl victories and an array of franchise records. As he nears his enshrinement in Canton, Ohio, Roethlisberger’s legacy is defined by poise under pressure, a trait that has resonated with fans and teammates alike.

As the current season unfolds, he faces the prospect of being surpassed in all-time passing yards by Aaron Rodgers, highlighting the sport’s evolving landscape. Nevertheless, even as his records face challenges, Roethlisberger remains an indelible figure, celebrated as one of the top quarterbacks of his generation.

Josh Allen’s Ascendancy

In stark contrast to Roethlisberger’s established track record, Josh Allen is still crafting his narrative, yet he has already left a notable mark on the league. Recently ranked 15th among the top 30 quarterbacks in NFL history, Allen’s skill set distinguishes him from his contemporaries. NFL analyst Tyler Dunne compellingly characterizes Allen, describing him as embodying the physicality of Roethlisberger, the arm strength reminiscent of Brett Favre, and a fusion of intelligence and athleticism uncommon in quarterbacks.

Dunne articulates, “There is no comp because no quarterback in NFL history remotely resembles the force of nature cannon-blasting through defenses in Western New York.” This vivid portrayal captures Allen’s fearless and explosive playing style, showcasing his ability to deliver game-changing moments that keep fans captivated.

The Path to Greatness

As the Bills continue their pursuit of a championship, the pressure on Allen intensifies. With visions of a Super Bowl title guiding him, the discourse framing his legacy in direct comparison to Roethlisberger gains momentum. Dunne highlights this notion, suggesting, “If he can hoist a Lombardi or two, we may all discuss Allen with the very best who’ve ever played the position.” Achievements at this level could not only redefine Allen’s standing but potentially alter the landscape of greatness in the league.

Roethlisberger’s legacy, firmly rooted in championship success, sets a benchmark for Allen as he seeks to establish himself in the same conversation. The unwavering loyalty from his teammates, who express a willingness to “run through the nearest cement wall for Allen,” underscores his leadership qualities and the respect he commands within the locker room.

The Comparative Landscape

While comparisons between Roethlisberger and Allen are prevalent, it is crucial to recognize the distinct contexts that shape their careers. Roethlisberger’s remarkable achievements stem from years of grit and perseverance, whereas Allen’s journey represents a new era of quarterbacks, blending traditional skills with modern athleticism. The current discussions also involve other legends such as Terry Bradshaw, Tom Brady, and Patrick Mahomes, who hold prominent positions in the all-time rankings.

As fans, analysts, and historians dissect the accomplishments of these quarterbacks, it becomes evident that each has left a lasting impact on the game, contributing richly to its narrative.

Reflections on the Future

The evolving discourse surrounding Ben Roethlisberger and Josh Allen encapsulates the cyclical nature of sports. As one generation prepares to hand over the reins, a new wave of talent emerges, eager to forge its own legacy. While Roethlisberger’s impending Hall of Fame induction celebrates his illustrious career, Allen’s rise promises a glimpse into the future trajectory of quarterbacks in the NFL.

As the league continues to transform, the journeys of these two quarterbacks serve as a poignant reminder that greatness extends beyond mere records or accolades. It is defined by the profound impact one has on the game and the inspiration they ignite in future generations. The dialogues may continue to evolve, yet one truth remains clear: both Roethlisberger and Allen are pivotal figures in NFL history, each shaping the narrative of the quarterback position in unique and impactful ways.



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Defense department cuts weather satellite data : NPR

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Hurricane Erick hit Oaxaca, Mexico, in June. Hurricane forecasters used data collected by Department of Defense satellites to monitor the storm as it intensified more rapidly than computer models had suggested it would. Such DoD data will no longer be shared with forecasters.

Luis Alberto Cruz/AP


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Luis Alberto Cruz/AP

The U.S. Department of Defense will no longer provide satellite weather data, leaving hurricane forecasters without crucial information about storms as peak hurricane season looms in the Atlantic.

For more than 40 years, the Defense Department has operated satellites that collect information about conditions in the atmosphere and ocean. A group within the Navy, called the Fleet Numerical Meteorology and Oceanography Center, processes the raw data from the satellites, and turns it over to scientists and weather forecasters who use it for a wide range of purposes including real-time hurricane forecasting and measuring sea ice in polar regions.

In late June, the Department of Defense announced that it would no longer provide that data, according to a notice published by the National Oceanic and Atmospheric Administration, NOAA. The termination date was originally the end of June, but after an outcry from scientists and forecasters, it was updated to the end of July, according to the Navy.

“I was surprised, given how important it is for forecasting hurricanes and monitoring important features like sea ice,” says Brian Tang, a hurricane researcher at the University at Albany. “This is data that forecasters use regularly.”

The Navy did not respond to questions about why it has stopped sharing the data with scientists and forecasters.

A spokesperson for the U.S. Space Force, which is responsible for the satellites, said in a statement that the satellites and instruments are still functional, and the Department of Defense will continue to use them even as it cuts off access for scientists.

“It’s not an issue of funding cuts,” says Mark Serreze, the director of the National Snow and Ice Data Center, a federally funded research center in Colorado that has relied on the soon-to-be-terminated Defense Department data to track sea ice since 1979. “There are cybersecurity concerns. That’s what we’re being told.”

The Navy did not respond to questions about what those specific concerns might be. In a statement, a Navy spokesperson wrote only that, “the program no longer meets our information technology modernization requirements.”

Tracking hurricanes as they form

The Department of Defense collects satellite weather information because it has ships and planes operating all over the world, and needs information about conditions in the oceans and atmosphere.

But the Defense Department data also allow hurricane forecasters to see hurricanes as they form, and monitor them in real-time.

“What we can do with the data is we can see the structure of hurricanes,” Tang explains, “Sort of like an MRI or X-ray.”

For example, hurricane experts can see where the center of a newly formed storm is, which allows them to figure out as early as possible what direction it is likely to go, and whether the storm might hit land. That’s important for people in harm’s way, who need as much time as possible to decide whether to evacuate, and to prepare their homes for wind and water.

The data also allows forecasters to see when a new eyewall has formed in the center of the storm, which can indicate that the hurricane is about to intensify. For example, Tang says, forecasters at the National Hurricane Center used the data from Defense Department satellites to observe a circular eyewall forming in Hurricane Erick earlier this month as it moved over the Pacific.

“That was a really good indication that the storm was about to intensify much more quickly than the computer models indicated it was going to intensify,” Tang says, which allows forecasters to publish early warnings. The storm hit Mexico as a destructive Category 3 hurricane.

NOAA, which oversees the National Hurricane Center, says the loss of the Defense Department data will not lead to less-accurate hurricane forecasts this year. In a statement, NOAA communications director Kim Doster said, “NOAA’s data sources are fully capable of providing a complete suite of cutting-edge data and models that ensure the gold-standard weather forecasting the American people deserve.”

Other satellites, operated by NASA and NOAA and by other countries, collect similar data, Tang says. But hurricanes form and intensify so rapidly that forecasters need near real-time information, which requires as many satellites as possible since no one sensor is always pointed at a given storm. Without the Defense Department data, there will be bigger gaps in time when forecasters will not know the current conditions inside a storm. That could lead forecasters to be surprised when a hurricane suddenly intensifies.

That’s particularly concerning because, as the Earth heats up, large, rapidly intensifying hurricanes are getting more common. Storms that gather strength quickly right before they hit land are particularly deadly because people have little time to prepare and evacuate.

Sea ice in the Arctic in March 2025. NASA tracks changes in sea ice at both poles using data from satellites.

Sea ice in the Arctic in March 2025. NASA tracks changes in sea ice at both poles using data from satellites. Scientists will rely on data from a Japanese satellite sensor to monitor sea ice going forward, because the U.S. Department of Defense will no longer share similar data from American satellites.

NASA’s Scientific Visualization Studio/NASA


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NASA’s Scientific Visualization Studio/NASA

A scramble to keep monitoring sea ice

The Defense Department satellites were also the main source of real-time information about changes to sea ice.

Sea ice data is important for a lot of reasons. Permanent sea ice in the Arctic and Antarctic is shrinking rapidly because of climate change, and the exact amount of ice fluctuates dramatically over the course of each year.

In any given year or season, the amount of sea ice in the Arctic informs international shipping decisions, because when there is less sea ice around the North Pole, ships can take shorter routes across the globe.

On the other end of the planet, sea ice helps slow the melting of glaciers in Antarctica, which threaten the planet with catastrophic sea level rise if they collapse.

Now, as a result of the Defense Department’s decision, six widely used datasets about sea ice at both poles will be interrupted, according to the National Snow and Ice Data Center.

“We’ve been very reliant on these data for many years,” explains Serreze, the director of the center. He says the Defense Department had warned him that the data would no longer be available after September.

Serreze’s team had already planned to switch to an alternate source of sea ice information: a sensor on a satellite operated by the Japanese government. The U.S. has access to data from that sensor through an agreement between NASA and the Japanese government’s space agency.

But they thought they had months to make the switch, which requires a lot of labor-intensive calibration.

And this is happening in the middle of a record-breaking year: so far in 2025 there is less sea ice in the Arctic than any other year since satellite records began in 1979.



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“Be happy about the balloons” – DeMarcus Cousins hilariously ruined John Wall’s long-awaited NBA return party

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“Be happy about the balloons” – DeMarcus Cousins hilariously ruined John Wall’s long-awaited NBA return party originally appeared on Basketball Network.

Suffering a devastating injury and trying to return from it can be a harrowing time in an NBA player’s life. This was especially true for former All-Star guard John Wall, who didn’t get to play for two years due to a heel injury and, later, a ruptured Achilles tendon.

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However, the day of his return to the basketball court eventually came in December 2020. Not long after he was traded from the Washington Wizards to the Houston Rockets, the explosive guard was giddy with excitement at the chance to do what he loved most: hoop.

But just when John’s enthusiasm was at an all-time high, he was suddenly brought back down to earth as he was imposed with a league-mandated seven-day quarantine due to “health and safety protocols,” thereby delaying his much-awaited return.

DeMarcus Cousins, Wall’s former college teammate at Kentucky and later in Houston, revealed that the incident figuratively deflated Wall’s excitement. A celebration organized by Wall’s loved ones to mark his NBA return was abruptly cut short.

A party pooper

In an interview on the “Run Your Race” podcast, DeMarcus told host Theo Pinson that he and John lived in the same condominium complex, with the latter residing a floor above him. As the anticipation built for his first game, which came against the Portland Trail Blazers, Wall’s team prepared a celebration to commemorate his return.

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“I remember going up to his condo like the day of the game. And at this time, COVID was around. So, you know, it was really, really sensitive. You did this, you know, you couldn’t play,” Cousins recalled. “So John was super excited about his first game back. They had this whole little setup in the house with balloons and s—t.”

However, as Wall was getting ready to go to shootaround, he was abruptly told to get off the court and quarantine for seven days. Apparently, a teammate tested positive for the virus, which meant John had to get tested and get cleared to play. Safe to say, he didn’t take the news lightly.

Related: Dwyane Wade explains why the Heat didn’t pull the trigger on Kevin Durant: “This is what the Heat do; they are not turning their chips until they feel like they got a winner”

Wall was pissed

It wasn’t just Wall who was asked to quarantine because of that incident; so were Cousins and fellow Rockets Eric Gordon and Mason Jones. However, with DeMarcus living nearby, he took the chance to rib his good friend about it.

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“So they had this whole little setup. I remember walking into his condo and, you know, John sitting on his couch. He’s pissed,” Boogie shared, laughing. “So he’s just sitting there, he’s sad as f—k. Nobody in there. He got all these goddamn balloons and s—t.”

“And I remember walking in, I’m like, ‘Damn dog.’ I’m like, ‘Man, 11B I know you mad as a MFer, bro. Hey, this s—t cool and s—t.’ He like, ‘Bro, get the f—k out, man. Like I ain’t trying to hear this s—t.’ I’m like, ‘Why you mad at me, bro?’ I said, ‘These some nice ass balloons and s—t, though. Like man, hey, hey, be happy about the balloons,” DeMarcus continued narrating.

Wall eventually got to play for the Rockets, returning with a bang, registering 22 points and nine assists in a 122-119 win over the Sacramento Kings. A few days later, he proved that his performance was no fluke, as he tallied 28 points in yet another win against the Kings. John’s time in Houston, though, was short-lived, as he played in only 40 games and was waived by the team in June 2022.

Related: Adam Silver plans to use Artificial Intelligence after the NBA’s injury surge: “Ingest all video of every game a player’s played in to see if we can detect some pattern”

This story was originally reported by Basketball Network on Jun 27, 2025, where it first appeared.



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Queen of Tears star Kim Soo Hyun’s agency files new defamation lawsuit against Kim Sae Ron’s family, Kim Se Ui in BIG trouble as….

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Kim Soo Hyun fights a legal battle against…

Kim Soo Hyun’s legal firm, LKB, has revealed that a lawsuit has been filed against Garo Sero Institute chief Kim Se Ui and Kim Sae Ron’s family for allegedly defaming the actor’s image on a global platform. ( Image Credit: X)

How did Garo Sero start the controversy?

Garo Sero started the overall controversy in Kim Soo Hyun’s case after releasing a video claiming he was in a romantic relationship with Kim Sae Ron when she was just 15v and he was 27 years old. Sae Ron’s family has also been accusing the actor.

LKB confirms case against Sae Ron’s family and Garo Sero chief

According to LKB, Kim Soo Hyun’s team was unable to file a case earlier due to some procedural issues, but his legal firm has taken strict action against fabricated evidence. The controversy started after Kim Sae Ron’s family conducted a press conference, claiming Kim Soo Hyun attacked the whistleblower of the case.

Whistleblower reveals AI fabrication in Sae Ron’s case

In the press conference, the family released audio of Kim Sae Ron in which the actress revealed details of her physical relationship with Soo Hyun. However, the matter opened when the whistleblower denied all claims and accepted the use of AI.

YouTuber Tzuyang and Garo Sero chief a controversy

On the other hand, content creator Tzuyang real name is Park Jeong Won, has been fighting a legal case against Kim Se Ui, in which the YouTuber has accused him of blackmail, coercion, and privacy breach, among others.

Court slaps Kim Se Ui with 10 million won per video

As per the media reports, it is a big win against Kim Se Ui as the Seoul High Court has ordered a fine of 10 million won, which is around $7,200 for every video they have uploaded anything about her.

Tzuyang’s video about abuser boyfriend

The court slapped Se Ui after a continuous invasion of Tzuyang’s personal life. Garo Sero released videos leaking private information about the YouTuber. Tzuyang has released a separate video in response to the claims in which she revealed her toxic boyfriend.

The court statement in Tzuyang’s case

The court statement reads, “The defendants have continued to upload videos for the purpose of amplifying or reproducing related suspicions or rumours even after the first-instance ruling,”